The Yield a novel bound in history but in a timeless realm

Necessity forced English upon Aboriginal people, but English still could not carry the full cultural weight of our intact native languages. It couldn’t even carry a broken one. To tell the story of the people that inhabited 500-acres of land as a metaphor for all Australia I had to break timelines into manageable eras, but I soon realised I couldn’t limit myself to a timeline; to tell the whole story, I had to tell the full story, to tell all the things.

The concept of the Dreaming emphasises the eternal nature of time and of all times existing now. This was the greatest challenge of writing The Yield — how can you show time in different layers on the same, unmoved but changing, piece of land?

I had to show time as conceptual by having no bondage to the years within Poppy’s narrative strand, exact references to dates in the Reverend’s strand — as if everything had fixity — and then show the dance of interpretation for August’s contemporary strand. I had to incorporate elements of magical realism and prop them against cold, hard facts. I was trying to build a novel bound in history but in a timeless realm.

The Yield Tara June Winch

https://www.theguardian.com/books/2021/jan/23/the-yield-by-tara-june-winch-review-reclaiming-australias-indigenous-voices?CMP=Share_iOSApp_Other

https://theaustralianlegend.wordpress.com/2021/10/23/the-yield/

https://theconversation.com/the-yield-wins-the-miles-franklin-a-powerful-story-of-violence-and-forms-of-resistance-142284

The deployment of such names contains a bitter truth, because although these are fictional places, there are locations right across Australia that unblushingly retain the evidence of racism and genocide. It is writers like Winch, and artists like Julie Gough, who draw attention to this practice and to the history that lies behind it.

History seldom remains tidily in the past, as so many writers have observed; and Poppy Albert too makes it clear: “there are a thousand battles being fought every day because people couldn’t forget something that happened before they were born”. And also, arguably, because what happened before we were born continues to have consequences.

https://writingnsw.org.au/to-say-all-the-things-tara-june-winch-on-reclaiming-language-and-writing-fiction/

We are at a crucial point in history where we must preserve stories from our elders, our language custodians, our old people before they are lost, because when the door closes on these stories and languages, it truly does slam shut on our history and culture, and the very essence of all our identities as Australians.’

Article on True History of the Kelly Gang

Peter Carey’s True History of the Kelly Gang: Ethical Dimensions in the Re-evaluation of Australia’s Mythic Hero1

Abstract

Peter Carey’s novel True History of the Kelly Gang negotiates the multiple and contradictory meanings that Ned Kelly’s historical record brings about. The figure of Ned Kelly brings to the fore the ethical dimensions of revisiting and questioning one of the best-known myths of the nation.

History is not complete unless it takes into account what men believe to be true in times of crisis as well as the objective truth.(Noorul Hasan) 

https://journals.openedition.org/ces/11449#:~:text=Like%20many%20other%20voluntarily%20exiled,enduring%20and%20yet%20paradoxically%20amnesiac